Batool Mohammed, Egypt (lives in United Arab Emirates)

Residency Period: 1 October 2013 - 1 April 2014


Bio

Born in Alexandria, Egypt, Batool grew up in Kuwait and currently lives in Sharjah, United Arab Emirates, where she works at the Sharjah Art Foundation. She completed a four year BFA at the College of Fine Art and Design at the University of Sharjah and graduated in 2012.


On-hiatus Proposal Summary

Batool is not on Hiatus by choice, in fact, making art has proven a frustrating challenge after she graduated from university. However being officially on Hiatus, she hopes, will take the pressure of needing to make art off of her shoulders, allowing her to resume making it after the period of this residency is over. 

Also given the fact that she works at the Sharjah Art Foundation, she often finds herself sarcastically nitpicking at artist statements, biographies and the general wording of art texts; what has been called International Art English (IAE). She also spends lots of time doing conceptual research for upcoming events, which surprisingly results in similar sarcastic deconstruction of texts by established philosophers that she would usually be fascinated by.

For the duration of this residency she proposes to compile all her notes on readings and texts as a series of scans and word documents or other means of entering text on the web page. She will also document her daily life on hiatus which would include the process of furnishing her flat, getting a drivers license, going to art events in Sharjah and Dubai and hopefully not making any art secretly.


Final Report

One day before the start of March Meeting 2014, I met Farid (Rakun) at the office to say hi and get some formalities out of the way. During the few minutes we spoke I manage to condense my experience on RFAOH to one sentence that I paraphrase as accurately as I can; I can be okay with not making anything and still call myself an artist. 

This is not to be confused with laziness (please). The anxiety of feeling obliged to make work was enough to drive me away from it, not unlike a stubborn child, but also, the art world’s [implied] obsession of producing a spectacle – even if not visual – factored into the equation. It blew my mind, and perhaps naively so, that there still needs to be a final entity to fund/produce/document/archive/perform/record/etc. 

This remains an open question to me, and perhaps the closest of an answer to this issue, is the one reached by the organizers behind RFAOH when they decided to start the residency. I took the time at RFAOH to focus on none of that, hoping that by not searching for it, I’ll notice it sitting outside the doorstep. I can’t say I’ve succeeded too finitely (how ironic) but I have at least, identified my preferred way to work, of having many disconnected things simultaneously going until they all condense into ‘a practice’. Accordingly, going to class, work and anything else I do will factor into said practice; and parallel to that, I’m starting to work on a text-based project similar to my initial proposal for RFAOH which I did not carry out during the residency because it felt too much like… work. Also I was afraid of starting it within RFAOH then not being able to extrapolate from it after the end of the residency since nothing on RFAOH is to be considered art/work. However, I don’t intent to embark on this research with the same smirk on the face of the initial proposal to RFAOH, but rather with a genuine questioning approach that may or may not culminate into a resolute end.

I am also considering documenting said research on my own – now dormant – blog that I started some time back for this very reason, but never got to really take it on. It was also due to being at RFAOH that I came to be more comfortable with the idea- that of virtual space and internet content. 


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recent comments


I Signed

La Biennale di Venezia: APPOINT KANYE WEST TO CURATE THE 2015 VENICE ART BIENNALE

I would love to see this going down in Art History.

Leave a Comment (4)

Matt wrote on Dec 6:

To follow I got this email today:

Dear Comrades,

It is a sad week. As you may or may not have noticed, this past Wednesday la Biennale di Venezia announced the curator of 2015's 56th International Art Exhibition.

It is not Kanye West.

It is instead, Okwui Enwezor (http://www.labiennale.org/en/art/news/04-12.html).

Ixnay on the #BiennalYe.

Whilst we mourn this tragic news for contemporary culture, we can take some comfort the knowledge that whilst this announcement was being made, Kanye was talking about design and architecture with curator Hans Ulrich Obrist (a supporter of this very petition) and architect Jacques Herzog, within the context of Art Basel Miami Beach (http://m.complex.com/art-design/2013/12/kanye-west-jacques-herzog-design-dialogue-art-basel-miami-beach).

The dream lives on.

We fought a good fight, amassing 906 signatures before Wednesday's announcement, and gaining support and mentions in titles including Dazed & Confused, DIS and Blouin Art Info and from figures such as The Guardian newspaper's art critic Adrian Searle, MoMA's Senior Curator of Architecture and Design Paola Antonelli, and Kim Kardashian (probably).

Who knows, 2015 may bring Mr West's first participation in the Venice Biennale yet through an independent endeavour. The seed has been sown.

Will he take over San Servolo on a floating weaponised version of one of the mountains from his Yeezus tour's stage set? Will an impromptu performance financed by the Fiorucci Art Trust see Yeezus crucified over the alter of Santa Maria della Salute by a grinning Bernard Arnault impersonator (later revealed to be John Bock)? Or will a stealth operation transform the Canadian into the Kanyedian Pavilion, catching La Biennale off guard and putting a long neglected patch of the Giardini back on the map?

#BiennalYe thanks you for your support.

farid wrote on Nov 22:

Just checking, but you've heard about his getting invited into Harvard GSD, talking to architects + using the word as a verb while giving away 300 free tickets to his own show in Boston happening the very same night, yes? The whole global architect crowd cheered for what seemed to me like forever. Priceless.

Matt wrote on Nov 21:

I'm wondering if its a KW fan taking the piss out of contemporary art, or a contemprary artist taking the piss out of KW or a (post)contemporary artist taking the piss out of both KW and contemporary art... hmm. I signed it and am imagining what it would be like.

farid wrote on Nov 20:

My first thought reading this is WTF. But I guess I can never be that judgmental. So I clicked + try to understand the petition's point of view. After, my reaction is still WTF. Maybe that's my fault.