Wayne Wang-Jie Lim, Singapore / Netherlands

Residency Period: 1 August 2016 - 30 June 2017


Bio

Incidentally conceived in China, raised in Singapore, Wayne Wang-Jie Lim is an art practitioner working and living in Amsterdam. Since 2009, he had exhibited and presented in shows at various venues, from the Institute of Contemporary Arts Singapore (ICAS), Centre for Contemporary Art Singapore (CCA), to the Singapore Art Museum. He was awarded the Winston Oh Travel Research Award in 2013 for a research in Hong Kong, a writer-in-residence at maumau Art Space in Istanbul, Turkey in 2015 and most recently part of a research-residency project co-funded by the Creative Europe Program of the EU, called “Understanding Territoriality” at Cittadellarte-Fondazione Pistoletto in Biella, Italy.

He is currently pursuing his MA at the Dutch Art Institute as a recipient of the Non-EU scholarship grant from ArtEZ Institute of the Arts. His current inquiry focuses on geopolitics, language, philosophy and history in relation to art and hence, experiments with formats that are not the conventional, such as, travelogues, thinking and the writerly.

URL: waynewjlim.com Instagram


On-hiatus Proposal Summary

During his BA studies, Wayne was drafted into the army for mandatory military service that brought a two-year halt to his “practice” — he practically made/produced nothing, and participated in a few minor exhibitions for which he only showed old works he had done in school. Instead, he read a lot, and in retrospect, “prepared” for his final year after his obligatory service ended. This was the first time he questioned what an “artistic practice” meant.

When he returned to finish his degree, he could no longer make art in the way he used to, and his production shifted to a focus on researching and writing, making strategic plans on practicing at the fringe of what can be called “art” before spending only a short couple months at actually producing the “artworks”. Though a national arts body has funded his projects and exhibitions, he is not recognized officially as an artist under the institutions’ national framework of what constitutes artistic practice. This simultaneously “insider / outsider” state has further led him to his current research.

As Wayne begins his hiatus, he will also be working towards his graduate degree, where his thesis-research explores the notion of “non-position/location”. He feels that this timing will prompt him to really ask himself how he could “nourish” himself and re-strategize his artistic practice in order to benefit from the artworld’s infrastructure/institutions but not be subsumed into the wider agenda of neoliberalism and nationalistic rhetoric as a contemporary art producer or a cultural and knowledge producer. He hopes to investigate alternative modes of art production with an ultimate goal of infiltrating the arts market from the peripherals while being completely non-positional and ambiguous. Or practically, what he has to do in order to survive as an artist in a way that will also afford him a comfortable living -- and not like a "poor artist".

During his residency at RFAOH, he primarily wants to spend time on brooding over the function of his “art” and his “practice”. He plans to use the stipend “for nourishment” by purchasing books and organizing a reading group, putting food on his table, paying for his website domain, buying a hashtag on his Instagram account, paying an exorbitant amount for a VIP ticket to an art fair to look at art-for-sale, etc. He also plans to routinely write and perhaps finally learn how to use Instagram to “market” his non-art/borderline art activities.


Final Report

What do I think about when I don't think? As I round up my last few beautiful days in the outskirts of Seoul before I have to head off to Beijing to reunite with my family for a well-deserved vacation, a defiant North Korean missile was fired at 6am this morning, and it landed in the sea not far from Hokkaido, Japan. While the US is conducting its 'regular’ — often unapologetic — military exercise with the South Koreans military, I am sitting here opening, closing, and reopening this report, contemplating — or even procrastinating — about I can possibly write.

“What am I doing here?”, is a question I routinely pose myself. I now wonder if my relentless pursuit of the never-ending “here’s” is perhaps too disruptive. In the same vein, I can’t seem to know where I want to be; except knowing where I do not want to be. It’s an excuse I sometimes use to cover up my escapism. On a different note, while noting the political context of the Korean Peninsula (or the nature of conflicts), I have been rethinking the difference between presence and occupation. It questions not just the essentialism of identity and place — if not nationalism, and the rhetorics of the nationstate — how else and what other ways to justify the existence of being/the conception of statehood. Where is the “inside” and/or the “outside”?

A year ago, I applied mainly with the intention to understand my own practice, and perhaps to find a “direction in my life”, in regards to being simultaneously, an "insider" and an "outsider" of where I come from. The combination of my trajectory at the Dutch Art Institute and RFAOH have certainly pushed my practice into a more theoretical, and political direction/place. With that in mind, it is, therefore, important to think, and employ strategies that bring about higher agency in one's (artistic) practice. Although my initial research premise relating to my thesis have changed — from a "non-position/location" to the "hyperrestrained order" — it nevertheless helped me to understand better my position or role (and even the escapism), and my relationship with the state (Singapore), that changes from being a citizen, a soldier, to an "artist" (as an occupation). I have seen this process as a crucial development — as a theoretical inquiry, and the understanding of the previous — in relation to my art practice. During my hiatus, I have learnt to bring research-traveling-writing to the forefront of my practice — not entirely inclined to the notion of producing artworks as the 'only' way of art-making. Ironically, I believe this journey — of art and life — will/can never truly be on a “hiatus”. If one is practicing life (thinking about Tehching Hsieh's talk), can we say or consider art as the medium of life, while life never stops, and art nourishes life?

The “here” now is post-hiatus. I am excited about what Beijing can I offer me, as well as what I can learn from this potential move. “Post-hiatus” is, so to speak, actually getting over an ex-lover, and confronting some fears I had the past couple years; anxieties and insecurities, where I don’t just ask myself the purpose of my existence at a physical location. It is about living through it, making decisions even if I won’t be liking it, whether its on life, art or love.


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recent comments


Back to Life

Oh #DAI it’s been a blast! #lifeafterDAIbegins #byebyearnhem #partytilldaylight #notartresidency #notart #wayneonhiatus #rfaoh

So, I’ve officially graduated — party’s over. It is “back to reality”. Although I do have projects lined up until December, I need to bear in mind the 5-digit debt I racked up over the past two years which I need to start repaying from 2018.

I have been feeling rather shitty the past days and frankly not quite sure how to think about it. It is the end of an era and I am exiting Europe. I am upset about whether I will ever get see some people and my DAI colleagues whom I have gotten so close to the last couple years. 

Other than the graduation, today is also the last day of my hiatus. Unfortunately, I feel extremely exhausted to go on (writing, or thinking), having just returned to Amsterdam again, and just generally tired of not knowing what I am feeling; from graduating, leaving people behind, or moving away. 

I apologize for my ineloquence, and my terrible articulation but I am going to bed now. It’s 5 minutes to midnight, and Amsterdam is raining. 

Goodnight RFAOH! Goodnight Amsterdam!

Leave a Comment (2)

Wayne Lim wrote on Jul 1:

Hi Shinobu, you're right! Thanks for reminding me about the positive things! And, I am so glad we got to meet up in Venice. There will be a next time! :D

co-director(s) wrote on Jul 1:

Congratulations Wayne for finishing both school and RFAOH residency!!! (How ironic that is ;P) You know you WILL see all those you got close to in the future knowing your jet-setter self; just remember we managed to meet up, which, who'd have imagined?? We'll so miss you here but for sure keep in touch. Have a good sleep and when you wake us, oh my goodness, you are not "on hiatus" anymore! Go crazy and make/do so much art!! (;

 


Seeing My Life in Packages: Prelude of a Burnout

I’m feeling it, yes — the burnout. It’s coming I know. I probably have never felt this busy my entire life. I have been sleeping lesser, and even dreaming about what I would present for the DAI. Fortunately, now that thesis is near completed and my presentation is half-done, with my belongings in boxes going to Seoul, Beijing and Singapore piling up in the room I am about to vacate, I am starting to feel the burnout — literally feeling both fearful and excited about upcoming projects. 

I have a week in the Netherlands after graduating from the DAI to do whatever else I want to. Besides that, I need to prepare for a presentation in Switzerland at Arc Residency for my collaboration Demasculinization, with André Chapatte. After which, I take off from Geneva to Seoul and will spend 6 weeks there for a research until September 1, when I head off to Beijing for yet another 8-week residency. I am particularly thrilled about my trip to China because it will be the first time I spend such a long time there to not only research, and also meet my family there for a holiday. Other than that, I also scheduled to meet a couple friends along my journey to the south of China before culminating with a presentation at the Institute for Provocation in Beijing. Then, finally, I will get to be in Singapore for (I think) two days before I take off for Indonesia, for the two biennales in Jakarta and Yogyakarta and the opening of MACAN. 

I’m taking a break from work to write this but I really want July to come. At the moment, I’m just thinking when the full-on burnout will come. It will come, I know. And, time stops for no one… 

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